0

Art of Seduction

By Musings No Comments
Someone asked me recently to break down the book, The Art of Seduction, by Robert Greene.
 
Many children are flirtatious, even before becoming sexual. Flirting is as natural as breathing, as people feel elated by connecting with others. Society demands we keep those impulses to ourselves, and maintain boundaries and dignity. To seduce someone, we must give them a place to set their instincts free.
 
The book specifies that its topic is seduction, not empathy or successful relationships. In practice, one does not come at the expense of the other, but to explore the principle of seduction at its essence, one must isolate it from goodness, empathy, marriage, and money. After all, many people do not seduce with hopes of a relationship. Some don’t even want sex but rather, attention. We cannot assume that because someone seduces, they desire wealth, a white picket fence, and a promise of forever.  We cannot even assume they want sex, although seduction is suggestive of sex.
 
In French, an orgasm is called la petite mort. ‘The little death.’ To lose yourself in Eros is to die and be reborn. Eros is a destructive, fiery energy. It unmakes you and remakes you.
 

And that’s the aim of seduction. Unmaking someone, to remake them again. They will crave more of this, as it lifts them away from the mundane. Seduction is about harnessing eros energy.
 
The book gives many examples of this. It focuses on embodying the archetypal. Primal archetypes infiltrate the unconscious, where conscious barriers and resistance cannot go.
 
Everyone puts up barriers and resistance to being seduced, or losing themselves. It is a total loss of power and control. When we are obsessed with someone romantically, we are consumed by a force outside us, someone we cannot control. We can’t force them to be loyal, to want us, to cherish us. Being seduced is dangerous.
 
Thus, seduction focuses on lowering someone else’s resistance to this. Some seducers might do this by chasing relentlessly. (The archetype of the Rake.) Others might do it by embodying a primal carnal energy that seeps into the target’s awareness on a level they are not quite conscious of.
 
One might protest: Ok, so you embody an archetype? That’s fake!
The irony is, it isn’t. The truth is that you do tap into certain archetypal energies. Everyone does. But to harness your seductiveness, you would simply be more willing to display them.
 
That’s right… it’s more honest. At least for me. Instead of keeping those more primal associations to myself and wearing a normie suit, I wear them on my sleeve. And then I pull someone into a world where they, too, feel like they embody an archetype. Is this manipulative? Well perhaps, but it’s equally manipulative to expect someone to wear a normie suit and do normal things, as dictated by society. The way I see it, I’m tapping into my own – and the other person’s – most primal and honest energy. That is what the book invites people to consider.
 
Being seductive will make people hate you (out of envy) and fear you (because losing themself is dangerous). Are you willing to make that sacrifice in order to embody more of your own power? Only you can decide.
 

Self Publishing

By Musings No Comments

The main reason I want to self publish is so my characters can be complex, and can evolve in a way that feels organic to me, as a writer – without having rules imposed on them because of their race, gender or creed. It is a fantasy novel, but I still describe my characters, and honor their journeys in a human way. If I can’t do that, I don’t see the point in writing. Therefore, I can’t endure “sensitivity readings.”

To give an example of what I’m up against: I have deep characters of all races. Modern “sensitivity reading” rules would say you can’t describe a black person’s skin as “mocha” because it reduces them to a food. However they have no problem with “vanilla” for white people. And the only alternative they offer to “mocha” is “brown” or “tan.” Worse yet, if your black character is too nice and good, like a sage, it’s offensive because it’s a trope. If she’s too traumatized and makes big mistakes, it’s offensive because she’s a bad stereotype.

When I went on forums to read about this, many black people signed in saying that personally, they were more offended seeing white people described as “vanilla” and other romantic words, while they themselves were only getting words like “brown.” They PREFERRED “mocha,” and things like this, because it’s more romantic. However, others did prefer “brown.” But the general sentiment was “I don’t get why white people care about this so much. To each their own.” Some also mentioned that they prefer having characters who look like them, who are complex and real – like anyone would. Yet, despite the mixed responses among real people whose races are being described, publishers will not publish you if you break many, many rules about how you’re allowed to handle a character of a particular race.

I can’t do this. I need my characters to be REAL. My White, Black, Asian, and Indian characters all have complex personalities and traumas. Some overcome, and some don’t, and it is unrelated to their skin color. I need it to stay that way.

Many publishers, sensitivity readers and writing forums are now suggesting that people don’t describe their characters’ skin, or appearance, at all! But this doesn’t work for me either. I’m a very visual person, who loves people with extreme vigor. So my descriptions of people tend to be poetic, honorable, and symbolic, describing things about their physique or the impression they leave, which leave a strong and poetic impression of the person. Removing their physical appearance defeats the purpose of writing, or having characters, since part of the experience is being immersed in those sensory impressions.

To me, it’s a moral imperative to honor the beauty, complexity, and journey of all my important characters, regardless of what they look like. My books are extremely “character” oriented. They cover themes like trauma and recovery, religious realization, coming of age, love lost, mourning and guilt, self-discovery. I need room for my characters to breathe.. to evolve naturally… without carefully stepping around parameters imposed on them by people who think everything is about race, and who get offended by something they do, based on their gender or creed. It is against my principles to dehumanize people this way, so I feel I need to self publish at least for now.

I would not condone publishing themes that REALLY were amoral, if I had a publishing company of my own. But I guess my morality is just not the same as the common ones today. To me, those seem arbitrary, dehumanizing and restricting.

Conflict is Natural Law

By Musings No Comments
Many people believe good will win – but I believe nature will win, and nature is a battle for survival. At the core of all living beings is a fear of death and an instinct to preserve life. This motivates them to fight for survival through any means necessary. Even the trees compete for a patch of sunlight.
 
For most of us, these battles are local, though we still kill plants and animals to survive. For others, the battle extends further, to war, murder and domination – and the rest of us scramble to be on the side that we believe will preserve the things we hold dear – be it our livelihood or our morals.
 
Conflict is natural law. Good will not prevail, and evil will not prevail. The only thing that will win or lose is survival. And once humans die out, animals will fight for dominance. The fight isn’t over until the universe (or the multiverse) disappears. Then, all boundaries will evaporate, and all will be One.

Original Sin & Leftism

By Musings No Comments

Modern leftism is a religion, based in guilt – and our society was bred for this type of movement.  At our roots, we are a Christian society.  The fundamental message we are taught is to feel guilty because Jesus suffered and died for our sins, and to get down on our knees and pray.  Likewise, the Leftist religion teaches that black slaves, Native Americans and Mexicans suffered and died for our sins. The message is that we came here and enjoyed greed and gluttony while they were made to suffer.  Thus we should feel guilty for the sins of our ancestors and we should get on our knees, bow for the liberal doctrine, and donate money to those members of government who will solve these issues.  Once we donated to the church, and now we donate to Democrats – because we are taught to believe that we are fundamentally flawed, and we need to give everything to an organization who will fix our problems.

This is why personally I abhor the idea of original sin. It creates a slave mentality through guilt. A religion like taoism asks you to think. But as a Christian society, we are conditioned into a slave mentality, as a society. So we voluntarily apologize for sins our ancestors committed.  White people in huge hordes are literally getting on their knees before black people and apologizing.  Guilty people are donating all their money to blm without even realizing that this money goes straight to rich, white democrats. They don’t even bother to ask – they just put the money in the bucket and get on their knees.  Then they point fingers at people who don’t follow suit, because they are sinners (now known as ‘racists’).

I can appreciate Jesus, but the religions of guilt and original sin, praying on your knees and giving money to corrupt organizations to ‘fix’ this, has set a precedent for how the left behaves today.  And that’s why the religion of leftism works.  Once, many members of our society were indoctrinated by churches and catholic schools; now, we are indoctrinated in public schools.  And so we believe everyone in society is a sinner (a racist) – and give to the big Daddy who can fix society’s problems.  Priests took advantage of little boys whose parents donated money to them, and Democratic governors exploit the black voters who elected them to run blue cities.

These mythologies centered on ‘original sin’ (the Christian bible and the Leftist bible) are both drawing on natural human emotions – but we are conditioned, as a society, to fall in line with the idea that we are ‘fundamentally flawed’ as a people.  We are conditioned to shame the people who don’t get on their knees and express guilt simply for existing.  Any society who is dominated by guilty sinners on their knees praying to God can also breed hordes of Leftists on their knees apologizing for their ancestors’ wrongs.

Any God that makes me bow on my knees is no God of mine. I call that a tyrant. In my world, my relationship with God makes me greater and wiser, not smaller and more obedient. 

And that’s why I was the first of my friends to see through this crap and why I’m not conditioned to fall for it. When I see  people forcing conformity and using guilt tactics, I associate it with Satan rather than with God.  And I believe that is one reason why I can’t be brainwashed.

Clothing Trends

By Musings One Comment

Clothing trends for both men and women are degrading in different ways, and also arbitrary.

Neither gender necessarily looks better than the other in dresses and skirts. In some countries men wear kilts. Historically, shoes with heels were FIRST made for men, and later became a trend for women. During various times in history, men wore robes, skirts and tights. In some cultures, men were expected to be more dressed up than women.

There is no reason why a man who dresses up should be called gay or effeminate, and why mens’ clothes should be so fucking boring. When you go to a wedding, the women all have different dresses but there’s only one shape suit that a man can wear. There is no good reason for this, except that society is telling men they should all be uniform and the same, like the army. The message is that the only thing men are good for is lining up like soldiers and fighting for women and children. Mens’ beauty, and value, should not be celebrated.

Of course, in Hollywood mens’ beauty IS celebrated, but I’m talking about day to day life, for people who aren’t rich. Culture has trained us unconsciously to think of men as soldiers who are meant only to defend us and have no intrinsic interest or value. The same way women can be seen as prostitutes, men are sent to die.

Now I’m not saying that men should “dress like women.” The fact that people might read this and think “Oh so you want a man to look feminine” IS the problem. Being boring isn’t masculine.

The problem is today, we have two affordable choices. Men can wear the same degrading clothes that women wear, which make it difficult to walk and move, or they can wear boring ugly trendy common clothes. In other time periods this was not the choices. You could be a man with flair, color and style, without being thought of as “looking like a woman.”

On the other side of things, womens’ trends are explicitly degrading. Almost everything that is considered “hot” is something that cripples a woman. For example, oversized boobs – this hurts womens’ backs and makes it harder to move around. High heels – makes it hard to walk, run, fight, or defend yourself. We have only barely moved past things like the trend in China where womens’ feet were bound. Any trend that is popular for women is one that cripples them.

Aside from high heels and constricting uncomfortable clothing, women are expected to wear at least minimal makeup at a normal job. This makes someone’s skin get worse over time. It also forces her to spend all this money on makeup she might not necessarily enjoy, and makes her spend TIME preparing her face which is probably fine just the way it is.

It’s one thing to wear makeup for fun – as a man or a woman – and I have no issue with it. But being expected to uphold a trend where you cake your face in foundation each day just so you’re accepted at the office, is degrading. Wearing foundation and makeup every day takes a toll on a woman’s skin, not to mention it takes time out of her day and prevents her from doing something interesting, productive or important. When you add up all the time women spend putting on and taking off makeup just to be accepted in an average setting, you might come up with a huge number over the course of a year. Imagine if that time could be spent, say, writing a book?

But that’s still not nearly as offensive as the “heels” that make people walk like a chicken, or “big fake boobs” that hurt their back. Also, clothes that make it hard to move.

There are many ways to dress up super fancy and sexy without restricting yourself, but they’re hard to find. I’ve been very creative and determined in searching out a wardrobe that is both sexy and functional. And that’s sad — if women weren’t culturally pushed to be crippled, this would be the norm. Compare the way we dress to ancient Egyptians, compare our weddings to Indian weddings, compare our wardrobes to Native Americans. Imagine someone looking back on this in 500 years. They would say “Those people in the 2000’s had no taste.” It’s shameful, really.

Extraverted Sensing vs. Bad Descriptions

By Musings No Comments

On CognitiveType.Com – the leading theorist, known as ‘Auburn,’ typed me as SeFi based on facial signals. I have studied Socionics, MBTI, and Jung – and after synthesizing the theories, I agree that at base, I fit SeFi (also known as SEE in Socionics, ESFP in MBTI, SeF in Jung).

The problem is, I struggle with many descriptions of this type – it is often depicted in a shallow, dehumanizing way. There may be reasons for this. Perhaps it is rare for Se leads to take interest in typology. Perhaps many are not inclined to sit at a computer studying abstract theory and delineating fine distinctions, and find the interactive life more compelling. To speak for myself, I never joined forums or learned theories until I was 32, and I only did because chronic illness destroyed my music career, along with any hope of sustaining a job. I refocused my attention on writing fiction, which lead to my interest in archetypes. So here I am, a student of typology who may be able to tackle the widespread misconceptions around Se. My current critique is focused on Auburn’s description – and the general sentiment around the CT forum – because I find their approach most valuable in the field of Jungian functions in its current state. Please keep in mind that although this critique is harsh, I support their community and project unequivocally, and I am a patron. However, since the Se description still hasn’t changed after many of my protests, I told them I would write my own so that people like me could see it’s out there, and process the typing more easily. I am doing this to work with them, not against them.

Myth #1: Se is Addicted to External Stimulation, Sensory Thrills and Pleasure, but Lacks any Internal World

Auburn’s descriptions link Pe to open-endedness, boredom, addiction and stimulation-seeking. As a result, people in his community have postulated that Se seeks stimulation and pleasure – but these quests are extraneous to any function. Everyone seeks stimulation, which is why ‘deprivation chamber’ is an age old torture device. As for pleasure – how you define ‘pleasure’ could be a topic of its own. “What is Pleasure?” “What do you find Pleasurable?” This requires exploration before shoving the idea of ‘pleasure’ into one function. Personally, I find my inner world much more enticing than anything external. I cannot imagine what it’s like to be ‘bored’ and, although I surround myself with beauty, I don’t seek sensory experience for its own sake.

As an Enneagram 4, my most ‘childish’ and ‘selfish’ need is to explore and express my inner world – and be admired for it. If you strip me down to nothing but base instinct, I’m still not an ‘escapist’ or ‘pleasure seeker’ but rather, someone that needs to transform my suffering into something beautiful that is uniquely mine, and thus be loved, seen and desired – despite my flaws, brokenness and shame. Therefore, I am not drawn to waste time indulging my senses with extraneous experiences that distract me from this process. The carnal world is an inspiration, a mirror, a stage – a means to explore and express my innermost essence (and, by extension, discover what essence is). I see feelings reflected in the weather, ideas reflected in colors, archetypes in the elements, humanity in animals… “as above, so below.” The most compelling indulgence, for me, is the quest to unveil my heart on such a deep level that its pulse reflects the rhythm of the world – and capture that experience in artistic form.

When presence is most intense, the timeless and eternal reveal themselves. This is why I describe my experience of the world as “So carnal, it’s spiritual.” But presence is not about ‘seeking stimulation and pleasure,’ nor does it have to be about experiencing something outside myself. In fact, seeking stimulation would impair ‘presence,’ because it implies a refusal to immerse myself in the ever-evolving now.

It also impedes ‘presence’ to actively run away from something inside. Some people are more invested in their internal world than others – and Fi certainly more invested in ‘personal identity’ than Ti – but running away from the internal would mean not being ‘present’ with the situation as it is. In order to attain focus, presence and flow – which Auburn linked to Se in his description – the mind, body and senses need to move with the current of the external and internal world.

Presence is about existing at full voltage. Being saturated with my project, the relationship, the conversation, the performance, the mood, the inner turmoil, the narrative unraveling from inside me, the music as it penetrates my being, the ideas someone else is communicating, the flavors of a story as I voraciously devour it, the onslaught of emotion, the throes of my will, the rhythm of accomplishment, the flame of creation, the dance of seduction, the thrust of combat, the anger, the passion, the desire, the catharsis, the ‘flow.’ I choose my destiny and pursue it willfully, then immerse myself in the process as it unfolds – and the cosmos reveals itself, just as it is.

Many Se leads would not share my priorities and interests – but all will experience flow, vitality and presence – since these principles underlie Se. You cannot be present while simultaneously obsessing about possible stimulation elsewhere. The reason Se seems more physical is not because Se leads are all hedonists – but because they are more tuned in to the singular trajectory of events at hand.

Ne is aware of alternate realities and possibilities, but there is no parallel for Se. The difference is not that Se leads seek ‘sensory stimulation’ but, rather, that they are engulfed in whatever dynamic experience they are currently focusing on – be it a conversation, a feeling, a sport, or a philosophical meandering. It is evident in Auburn’s chats that groups of Se-valuers tend to flow with one topic, moving from A to B to C to D, whereas Ne conversations are divergent, moving from A to F to Z and back to C. This is why Ne-Si picks up ‘synchronicities’ and ‘parallel realities,’ while Se-Ni is holistic and encapsulates ‘as above, so below.’

Myth #2: Se is an Open-Ended “Empty Vessel” who follows Addictions and Whims with no Direction or Willpower

Any type might have a grand sense of purpose, and any type might not – but each type has a specific way of getting their needs met. Pe leads are hunter-gatherers and willful pursuers who pick up patterns in the world and turn trends in their favor. Pe leads may or may not be motivated, visionary, or outgoing, but regardless, Pe takes in the world at lightning speed and interacts with it without hesitation.

I live in a near constant ‘flow’ state because I allow my emotions, ideas, and experiences to saturate me fully, and to flow through me in a dynamic current as things evolve. I direct this flow toward the things I want in the grand scheme – and due to my general awareness and presence, I know where to go in the real world in order to bring my dreams to life – in big and small ways. This is emphasized in Jung’s Se ‘realism’ and Socionics Se ‘volitional force’ – but Auburn leaves ‘realism’ out of the description and is hesitant to ascribe Se any willpower.

It appears to me that Auburn is attempting to draw a parallel between Se and Ne, where both are empty vessels seeking stimulation, wide open to new experiences – but neither is willful. Although he would agree that any type can be willful as a ‘whole person’ with a full set of functions, he ascribes willfulness to functions that are extraneous to Pe, and makes Ne and Se – as independent entities – both equal in their aimlessness. Yet the database shows that Se leads – no matter how fantastical their mind – are quite able to ‘get what they want’ in reality. In the case of intuitive leads, additional functions are necessary to help them conquer the ‘real-world’ – but for a Se lead to have realistic aspirations and impose their will upon concrete objects, all they need is Se.

It is difficult to justify Auburn’s ‘trickster’ archetype for Se, not to mention ‘seductive sensualist’ and ‘rebellious delinquent’ – without incorporating realism and will. Not all Se leads will have a grand sense of purpose – but all will know how to get what they want from the world in the moment. Note: Jung agrees.

The flow of achievement can be spiritual for me: I align myself with nature, feel its power in my hands – and channel that vital force to actualize my will. Auburn theorizes that I have developed Ji and Je – but this fails to explain the automatic interactive relationship with the environment, moment to moment, which fuels my cathartic creation process.

On a larger scale, I have always possessed a strong sense of purpose, and I believe this phenomenon is extraneous to type. This is consistent with his database: I’ve had a clear sense of purpose all my life while my husband, a TiSe, has not; Jordan Peterson, a brilliant Je lead, found his purpose later in life; Trent Reznor, SeTi with no J development, possessed vision and purpose from a young age; Kurt Cobain, SeTi, fought harrowing medical conditions to chase his vision; etc. Auburn may argue that these visionary people don’t comprise ‘the average Se lead’ – but a solid principle should not have outliers. Any reasonably functional Se lead in the database possesses vitality, focus, presence, volition, force, flow – which means it is a good baseline for Se – while the rest is incidental.

Myth #3: Some people are Open-Ended and Random, just like Children, and there’s Nothing Wrong with it

Auburn ascribes ‘willful purpose,’ ‘overcoming’ and ‘heroism’ to Je, ‘meaning’ and ‘values’ to Ji, and ‘shamanism’ and ‘narrative’ to Pi – while linking Pe to a childish need to explore random stimulus, a risk of ‘falling prey’ to addiction, and a default state of ‘boredom.’ His mythologies link Pe to ‘tricksters’ and ‘puers,’ full of naive wonder (Ne) and pan-like delinquency (Se). I love the archetypes, and agree with youthfulness (Pe) being placed in opposition to senex energy (Pi). The problem is, there’s no acknowledgement of purpose, preference, specificity or independent will.

Auburn emphasizes that Pe is random, open-ended and directionless – including the geniuses, sports stars, composers and scientists. When I asked about Einstein – a Ne lead with no other function development – Auburn suggested his discoveries relied on strong elements of ‘luck.’ I pointed out that when Se leads do amazing sport stunts, it requires practice – but Auburn insisted they can ‘just do that.’ The description proposes that Se leads are wired to figure out the components of physical motion just by watching, and then mimic it. Funny, I was so horrible at this that my mother had to explain to me in words how to tie my shoes, whereas my brother just figured it out – and I left every dance class crying because I could not copy the motions for the life of me. Parsing out impersonal components is Ti, not SeWhen I asked other SeFi’s about this, none of them were able to parse out the movements naturally either. There may be exceptions, but none that I’ve spoken to personally.

I was known as a child prodigy in music, but lo and behold, I started practicing for hours each day at age four. Who knew that Pe leads could willfully set their mind to something and achieve it through dedication? Who knew they might interact with the environment in a way that might be deliberate?

If we are to run with the archetype of ‘youthful explorer,’ let us not forget: the most adventurous of children are willful, know what they want and find a way to get it. This hunter-gather mentality is a staple of the adventurer’s mind, and there is tremendous will embedded in its fabric.

 

Myth #4: The Descriptions are Fair and Equal, Based on Data

Let’s face reality: associating Pe with empty-headedness is dehumanizing, and equating it to addiction and directionlessness is pathologizing. The CT community has offered many excuses, including: “These descriptions encapsulate the average person, and you’re not average.” Well gee, thanks – but if these descriptions are about average people, why is Fe focused on heroism, and why are Ni leads equated to shamans? The message is: “At your best, your type can excel at edginess and stunts – whereas the baseline of normalcy for Ni types is to be a shaman.” Lovely!

During a round of argument about the Se description, Auburn asked me: if a high percentage of Se leads are drug addicts, is it wrong to put that in the description? It’s not wrong – but make sure the description also has room for the Se leads who excel to great heights, like Trent Reznor, Kurt Cobain, Hemmingway and Foucault. And for cripe’s sake, give credit where it’s due and include a paragraph on realism and holeism.

Bad trends show up (drug addiction, oversexed behavior, delinquency) – good trends show up (brilliant music composers) – but CT is responsible for which ones they decide to include, and right now, it’s quite one-sided. Some descriptions are human and balanced, like the Fi description, which is a masterpiece. Others are dehumanizing either because they are glorifying (Ni, Fe) or infantilizing and pathologizing (Se and, to a lesser degree, Ne).

Considering the Ni description has room for shamans, the Se description should also demonstrate what Se lead geniuses look like – paying tribute to great athletes as well as the trend of Se leads who are groundbreaking composers. He could also mention that he has discovered a trend of computer programmers typing as Se, and attempt to illustrate why this trend shows up. At the very least, the description could provide an avenue to demonstrate how purpose manifests in a reasonably capable, intelligent adult.

It may be fair to say the average modern human is addicted to external stimulation and that the media culture has trained us to expect instant gratification – but it is not correct to link this sin to any function, when outliers appear among all types, and exceptions appear within the types to which he ascribes directionless gluttony. I cannot presume to know what Auburn thinks or feels but, as a reader, I sense he needed to use some type as a dumping ground and blame it for society’s downfall.

I know this is not the case, and that he has made every effort to be fair, open and precise. I know he has good reasons for leaving the description the way he did, and that over time, as he sees more evidence, he will readdress this. But I am being honest about my reaction to it, and I know I’m not the only Se lead who has responded this way. I’ve heard this often enough that I feel compelled to address my thoughts on Se publicly, and share what the descriptions are missing – especially since I am so vocal about my support of the CT community at large.

Bottom line: in Jung’s book, realism is the foundation of Se, and where there is realism, there is also volition and force. These attributes must be ascribed to Se in a very central way for it to have any meaning at all.

New ways to look at Libra

By Musings No Comments
I posted this in an astrology group:
 
I decided to share this here, due to my Scorpio Mercury need to dig to the depths of things, penetrate the lies and find the truth. I keep seeing comments, even in this group, which are aligned with typical descriptions on the internet, but not with what I have discovered to be true. So I wanted to share my take on things, and my research thus far.
 
As a Pluto dominant Libra, with an 8th house sun, I despise descriptions of Libra. It goes beyond “I don’t relate” and ventures into the fact that Libra is an inanimate type. Modern astrology associates Libra with the SCALES, an inanimate object, while every other sign has a personality — either an animal or a god, goddess…
 
It would be impossible for someone as opinionated, intense and fiery as me to relate to any description of a wifey peacemaker with no opinions of her own. Not only do I find this extremely degrading toward Venus itself, and the nature of women – but also the absolute opposite of who I am. I gave up astrology, but later on, once I found the intense truth in my Chiron and Pluto energy, I decided to give it a chance and did some research on Libra. Here’s an old post from last year:
 
Did some research today. About to do more.
Libra is not about “peace” nor is it about avoiding conflict or being a pushover, trying to get along. It’s not actually about romance or wifey stuff either. None of that makes sense at all archetypically, nor does it mean anything.
 
Originally, Libra was not one of the constellations or signs. The stars now associated with Libra were the claws of the Scorpion. Later they saw it as two constellations, where one was “Chelae” – claws. That one was Libra.
 
Later on, there was a mistranslation. “There was a confusion with the translation of the words, zubana and zibanitu (meaning- weighing scale’ and ‘scorpion, respectively). The two translations of the words zubana and zibanitu led to the constellation the scorpion’s claws or Chelae Scorpionis. Therefore, in Babylonian Mythology, Libra started out as the claws of the Scorpio. Later when the Greeks looked at the constellation, they thought it looked like a set of scales held by Astraea or (Star-maiden).”
 
So Libra, if you take its full history and mistranslation into account – is somewhere between the claws of the Scorpion that killed Orion and the Virgin Goddess’s scales of justice, but it is not actually an entity unto itself.
 
Consider all these quotes, from various references:
“The zodiac (a Greek word meaning “circle of animals”) were devised by the Neo-Babylonians.
““The fundamental factor in astrology is the identification of the heavenly bodies with the chief gods of the pantheon.”
“Libra is the only zodiac constellation that represents an object, not an animal or a character from mythology.”
 
Conclusion:
Libra is not an archetypal energy. It is an inanimate object wielded by forces of LIFE and nature belonging to the other signs. Its presence in astrology is the result of mistranslations and a need to force symmetry, but it is not inherently meaningful.
 
__
 
More recent post.
Things have changed – obviously since we discovered Pluto that has been linked to Scorpio, and Mars to Ares etc. But everyone knows that Mars used to be linked to Scorpio. This is common knowledge. No one talks about Hephaestus and Vulcan being linked to Libra. Why?? What is the point of declawing it? Hephaestus is much less glamorous than the others but at least has a personality, whereas modern internet astrologers outright admit that Libra is the only sign who is associated with an inanimate object instead of a God or Goddess or animal. Seriously what the hell is wrong with them??? This is what came up first for each on Google:
 
Hephaestus
Hephaestus is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire, and volcanoes. Hephaestus’ Roman equivalent is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera’s parthenogenous child.
 
Vulcan
Mythology
Vulcan is the god of fire including the fire of volcanoes, deserts, metalworking, and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith’s hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery.
 
 
Vulcan was an exile, cast out of the heavens by his parents because he was ugly. He was adopted by an underwater dweller, and there he mastered skills in creating beautiful things, some of which he gifted to his adoptive mother. When his birth mother found out what beauty he was capable of producing, she wanted him back – but he built gorgeous enticing contraptions to trap her (a beautiful chair, in this story). To set her free, Vulcan’s father offered Aphrodite’s hand to Vulcan. So the ugliest God got to marry the most beautiful because of his vengeful and beautiful traps. (Justice!) He was the God of the forge, turning shit to gold, which gave him a path out of exile – though he remained essentially exiled due to his bitterness about it. He developed a separate identity from the family.
 
This is a somewhat similar story to the Phantom of the Opera. There is “creating beauty” and “marriage” in this story, but no peacemaking pushover present.
 
 
From today, in this group:
 
My stronger sense is that a lot of what’s said about Libra simply isn’t true. It was originally associated with the exiled God Hephaestus/Vulcan, who was too ugly to sit among the Gods but was invited back because of his beautiful art. His art was also vengeful, such as the gorgeous chair that strapped his mom in place after she discarded him and then sent for him so she could use him for his art. His father bargained that he could marry Aphrodite if he let his mom go, and he did. When she cheated with Ares, he set up some artful way to expose them before everyone. This is vengeful. Libra is JUSTICE, not pushover.
 

Modern astrology says (and I’ve seen this written) that Libra is the only sign that has no Gods or animals, just an inanimate object. Then, they characterize it as having no mind of its own and being a passive aggressive pushover. Meanwhile this is a cardinal air sign. Most Libras I know are keen on justice and create beauty, but not necessarily to manipulate people. Air is removed. Tactical. These people know what they want to prove and they do it, with artistic panache.

 
 
 

Transcendence

By Musings No Comments

Some religions claim their Bible is the word of God. Yet this is quite apparently false. At best, any religious text is the word of morally conscious men interpreting or channeling messages from God. At worst, it is the word of elites manipulating people for the sake of expanding their own power and keeping people obedient. Whether we interpret a religious text charitably or uncharitably, one thing is clear: it was written by men.

Nature is the word of God.

If God is, indeed, our creator – then it follows that, to see God’s work, we need look no further than the nature He created. This includes the natural elements, the nature of animals, and our very own nature.

Today, many Atheists have adopted a mentality which is ironically influenced by Abrahamic religion. They suggest we remain detached, refuse to be mislead by impulses, and avoid indulging illogical emotion. Whether religious or secular, many believe it is a moral imperative to transcend our base desires.

 
The imperative to transcend desire carries a similar message to “Original sin.” It rests on the claim that the way we’re built is fundamentally wrong.  For anyone who believes in God, Natural Law, Evolution, or Love – this is nonsensical.  Whether God created us or whether we evolved, we are the way we are.  Accepting the way we are and making the best of it, for ourselves and for those around us, is the most we can hope to achieve. It is a fool’s errand to attempt to transcend one’s own nature, and yet, most of the world is obsessed with this aim. 
 
Animals don’t do this. Animals know more than we do.
 
We don’t look at our dog and think “Why does he crave contact with me? He should stop being so excited about me and reach nirvana.” So why would we do that to ourselves?

The idea of “Original Sin” and “Transcending desire” — is the poison that makes our love impure.  It is natural to desire, to burn with passion, to love.  It is only our shame about our feelings, and our fear of love, which ruins its beauty.

 
Some might claim that peace and clarity are more important than love.  We can avoid the ‘danger’ of heartache by forsaking romance and desire altogether. But, what is the point of it all?  Why are we here?  If we’re just going to find ways to ignore our desires, and find ‘serenity and clarity’ to avoid danger and pain….. what exactly will fulfill us?  Is it fulfilling to spend our lives depriving ourselves of things we ‘don’t really need,’ just to avoid the possibility of losing them?  Is that really living or is that just surviving?
 

Villain

By Musings No Comments

People yearn to be seen for who they are – to suffer, scream and cry before someone else. They want to be seen naked, stripped of all their masks. They desperately yearn for someone who understands them.

This is why there’s nothing sexier than the image of a villainous character who reflects the darkness inside.  It fosters the illusion that “this person can understand my darkness” and admiration that “this person is honest in ways I cannot be.” Also the fantasy: “I could save tis person… I could make the villain change for me.”  The dark, lost, fucked up monster. “My love would save him.” And the ego cries on.

We are all the villain of our own story.
We make the choices that bind us.

If you’re true to yourself, nothing can destroy your integrity. Not even death, because your message will live on in the hearts of others.
There’s no enemy, no villain, except the mechanisms by which you tear yourself down.
We project that villain onto others, and others can serve as ‘tricksters’ or truth-revealers in our own life, to open our eyes to our own biases and push us to confront our demons.
But the only one who can confront your demons is you.
The rest is a backdrop which can only serve as a reminder for what we already know in our hearts.
Anyone who says something like “I’m not a great man, I’m just a regular guy” – wrong. Gandhi and Peterson and MLK also were just regular people.
There’s nothing about anyone that inherently makes them great, or destined for greatness.
“Privilege” may make the path easier, but in and of itself, it does not ensure greatness or mediocrity.
Those choices come only from us.

You can be a “great man” or “great woman” in the context of your own life.
Not everyone has to be world famous, to be great.
Mediocrity is a temptation that lures us. It’s easier to avoid making waves.
When you make a statement, grow and expand, you come up against boundaries, challenges and difficulties.
It’s easier to say “fuck it, I’ll just do what’s easy, what remains unchallenged.”
And the idea of a villain or an enemy is also tempting.
It’s easier, it’s the path of least resistance – to hate and fear another person, instead of delving into ourselves.
The peaceful path is not always the wrong path. Sometimes excess drama and challenge is also the path of least resistance, a projection of “war” out into the world instead of focusing on the battles inside us, which are most important.
The path of least resistance comes in many forms, and all of them are the devil’s lure.
Our character is determined by whether or not we succumb.

The Limits of Typology Descriptions

By Musings No Comments

A type is a living breathing pattern that manifests through living breathing people. Once someone has years of experience with typology, the type starts to come to life. There’s more than words on a page; there’s a rhythm, a chemistry. This is what type really is. And once you understand that rhythmic essence of the types, then the descriptions become a ‘guide’ rather than scripture. Jung and Gurdjieff knew this – they were describing archetypes, not full people, and both were careful to explain that their systems (Cognitive Functions and Enneagram, respectively) were about a fundamental underlying gestalt which underlies the psyche of anyone that embodies that archetype.

If you can feel the types, and see them in motion in actual humans, it is clear that no description on its own is adequate. The various descriptions are maps and the people are the trees and the houses. The underlying gestalt of each archetype is clearly the same throughout each system, even if descriptions by different authors contradict each other – at least to my eye. Not everyone sees the world the way I do, but I certainly don’t gain much anymore from arguing about this description vs. that. It is a necessary stepping stone toward understanding what type is, but I don’t see how tit for tat cut-and-paste does anything to bring a type to life and make it breathe, so that a human may embody its essence. Once we get past that second-grade cut and paste, we graduate to the world of archetypes and rhythm of the world. Yacking about this definition vs that, is no longer relevant.

When you hear a piece of music, do you argue that someone else played the notes in a different syncopation? Fur Elise is Fur Elise, no matter who plays it. It can be to a rock beat, a jazz beat.. it’s still the same fundamental melody and chords. This is what makes it Fur Elise. You can argue that someone completely changed it, but if you heard that intro and you said “Fur Elise!” then your gut knew what song it was. This is the same for types.